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Content about NMAI

November 29, 2012

Ballet officials raising funds for NMAI trip; Video showings of the ballet scheduled Nov. 30 and Dec. 1 in Tulsa

When spring 2013 starts, visitors at the Smithsonian National Museum of the American Indian in Washington, D.C. will be treated to a live performance of the Osage tribe’s story told through song and dance – with the help of ballet slippers.

The Wahzhazhe: An Osage Ballet production will hit the NMAI theater stage for matinee performances scheduled March 20-23 at the museum located on the National Mall. Those daily performances start at 3 p.m.

July 6, 2012

Joe Conner has had his grandfather’s Carlisle Indian Industrial School uniform hanging in his closet for several years. He finally decided it was time to pass it on.

Joe Conner has had his grandfather’s Carlisle Indian Industrial School uniform hanging in his closet for several years. He finally decided it was time to pass it on.

Conner, Osage, sold the uniform, which his grandfather wore in 1886, to the Smithsonian’s National Museum of the American Indian in Washington, D.C. He also gave the Smithsonian two booklets, five photos and two Indian Clubs.

November 4, 2011

Osage collection contains wide spectrum of objects, from textiles to culturally sensitive items

SUITLAND, Md. – Within the Cultural Resources Center of the National Museum of the American Indian are some of the most rare and precious of Native American artifacts.

Within its vast collection is textiles, pottery, beadwork, yarn work, ribbonwork, spiritual items, blankets, hides, canoes, culturally sensitive objects, the list goes on and on.

An Osage Delegation, in Washington, D.C., to sign the historic Osage Trust Case Settlement with U.S. Department of Interior officials Oct. 21, was invited to view the CRC’s Osage collection on Oct. 20.

November 3, 2011

Wilson Pipestem lauds Trust Team members for their work

WASHINGTON – The Oct. 21 ceremonial signing of the $380 million Osage Trust Settlement came to a poignant end with words of gratitude, praise and a few tears shed among those involved in reaching the settlement with the federal government.

More than 50 people joined the Osage Trust Team and their attorneys who represented the elected Osage leaders and shareholders for a reception at the Smithsonian’s National Museum of the American Indian after the signing ceremony that morning at the Department of Interior headquarters.

March 12, 2009

Julie O’Keefe held up a pale pink beaded and embroidered shawl at the Osage Tribal Museum June 16. The shawl had turquoise, yellow and light blues in its designs and two women standing nearby nearly gasped.
“My grandmother used to say how elegant the Osage women were so I went to the NMAI [National Museum of the American Indian] and looked at the different patterns,” O’Keefe said. “I started sketching up some ideas for designs of what I liked.” The fringe on the shawl was “shadowed,” something not commonly seen, if ever, on a shawl. The fringe faded from a turquoise, to pale pink to yellow. Her intent was to design shawls of such a high quality that Osage women would buy them and pass them down as heirlooms. Some would say she has more than succeeded. “I was named this year by Archie Mason, who took me as his daughter,” O’Keefe said. “He said, ‘My new daughter has done something to change how our women dress and she did it with one thread. I was so proud to see so many new threads around me.’ I was touched by that.”
O’Keefe, who was born and raised in Pawhuska, is the president and sole owner of the Grayhorse Group, Inc., a purchasing and Procurement Company based out of Virginia. The company does business with clientele such as the Four Seasons Hotel in Washington, D.C., the Hempel Hotel in London, and the Ritz Carlton to name a few. It specializes in importing and exporting products from around the world that range from furniture to artwork to bedding to amenities to decorative items. They also have the ability to provide custom products and to direct source from vendors overseas. It’s from access to high quality vendors that she was able to get professional craftsmen and craftswomen to produce the shawls, she said. The shawls are made with semi-precious beads and stones and are beaded by hand. The fringe and colors of the shawls are custom made. To acquire the look of the shadow fringe the fringe had to be hand dipped and the vendor used custom colors. For that effect O’Keefe used a favorite vendor of hers from Mumbai, India.
“I work with some non-profits in D.C. [Washington, D.C.] and I’m always trying to come up with ways to make money,” O’Keefe said. “I’ve actually been reading the articles in the Osage News about the museum’s Osage Ten project and I thought I could help.” O’Keefe partnered with the museum shortly after the Hominy In-Lon-Schka dances to sell the shawls at the museum, with 20 percent of the proceeds going to the Osage Ten project. The shawls range in prices from $475 to $1,560.
“This is my passion,” O’Keefe said. “I just wanted to do something for our people.” To purchase a shawl call the Osage Tribal Museum at 918-287-5441.

Julie O’Keefe   held up a pale pink beaded and embroidered shawl at the Osage Tribal Museum June 16. The shawl had turquoise, yellow and light blues in its designs and two women standing nearby nearly gasped.